Did you know that November is National Novel Writing Month (NaNoWriMo)—a month-long novel-writing frenzy? Thousands of coffee-fueled writers are pounding their keys to reach their goal of producing 50 thousand words before the stroke of midnight on November 30. Read more on the Los Angeles Editors and Writers blog.
For as long as I can remember I have craved deep greens and muddy browns. I’ve often escaped to natural environments to write, or to read over my writing. I am soothed by trees, bolstered by the earth, and draw inspiration from breathing clean, fresh, mulchy air.
I have favorite spots I escape to, places where the phone won’t ring (sometimes there’s not even cell reception) and where piles of papers won’t grab at my attention.
I once fled to Palomar Mountain in San Diego County, pitched my tent, and promised myself I wouldn’t leave until I’d gotten the upper hand on the chapter I was struggling with. (I stayed a week, but I descended the mountain triumphant, the completed chapter tucked under my arm.) Yes . . . I wrote longhand for a week in that campground void of electricity.
Now I sometimes escape to nature to take a break from writing. But, still, it raises the water table of my creative juices, keeps the well from running dry.
I’ve come to call these spots my “Second Office.” They’re free of rent, and they free my mind.
(Also check out these earlier posts: Go on a Writing Retreat to Kick Your Writing into High Gear and Recipe for a Non-Writing Retreat.)
I invite you to share some stories or images of your own writing (or creative-well replenishing) escapes.
If you have a question about writing, and you think the answer might benefit others as well, please send me an email at Nomi.theWriteCoach(at)gmail.com, and I’ll set to work on a blog post that answers your question. (It’ll be kind of like you’re giving me a writing prompt and benefiting from what I come up with!) If I don’t know the answer, I’ll do my best to find you some resources where you can find the answer.
Then, keep your eyes open for my response (in the form of a blog entry)!
It gives me great joy to share what I’ve learned about the craft of writing over my 20 + years as a book editor, writer, and writing coach.
I look forward to hearing from you.
I’m all ears.
I am deeply inspired by the stories brought forth in my Write Your Life class and feel honored to serve as witness.
When you sit down to write (and to share your writing) in the company of others, you are giving yourself a profound gift. Your stories no longer live locked inside you, but are witnessed and held by a group, by a community.
Write Your Life is a wonderfully supportive environment in which to share your stories. It is my hope that you give yourself the gift of joining us.
To read more or to register, click here.
When I was growing up, sitting under my mom’s desk to play, comforted by the resounding tap, tap, tap of her manual typewriter, and then later shut out of her writing den so she could concentrate, I thought it was normal for a writer to write for hours and hours on end. My mom woke up and got to work by 5 or 6 in the morning and she didn’t leave her typewriter, and then later her computer, until 1 or 2 in the afternoon.
That’s eight hours of writing!
When I began to write (after years of resisting being a writer, since I figured one was enough for one family), I found that my normal rhythm was about three or four hours a day. And when I tried to write more, I was utterly exhausted after five hours. What’s up with that? Although I didn’t fall far from the tree, I did seem to be a completely different kind of apple.
We were in many ways two very different writers. My mom wrote stage plays and television screenplays; I write fiction and memoir. My mom’s work was plot and dialogue driven. My work is very visual (though I do write good dialogue too; thanks, Mom). My mom wrote from the outside in—getting the concept and perhaps the structure in place first, and often not getting to the emotional content until later drafts. I tend to write from the inside out, spilling my guts onto the page and then muddling my way to finding some sort of plot.
Is our difference in style what made it harder for me to write longer than 3 or 4 hours? Or was it just that my mom was a bit of a powerhouse-superwoman-wordsmith? I mean, the woman only needed to 3 to 5 hours of sleep.
Well, when I recently began writing a book on a deadline, I found that suddenly I was writing five, six, seven hours a day! One day, I even wrote for eight. And I didn’t even feel exhausted . . . well, maybe a little. But I also felt exhilarated.
The mighty deadline has pushed me through the glass ceiling. Perhaps that was the difference all along. My mom wrote on deadline for years. Or . . . maybe my mom’s lovely spirit has been hanging around helping me out.
In any case, with that triumph in my back pocket, I still cherish the lovely writer’s day that goes like this: write in the morning; nap and then exercise in the afternoon; socialize in the evening. Perhaps one day I’ll get to write that way again.
In the end, there is no right number of hours for everyone. Virginia Woolf, I have heard, wrote for one hour a day. Stephen King supposedly writes ten pages each and every day (a lot of writing! Anyone know how long that takes him?). Many, many writers claim the 3–5 hour a day rule.
How much do you write a day? Do you shoot for hours or word count? Please tell us how you write n’ roll.
I just got access to some footage of a workshop I did for the UCLArts and Healing Conference 2011. The workshop is Writing from the Senses: Quieting the Inner Critic, where I use movement and somatic awareness to help people access a deeper current from which to draw in their writing. It was an amazing workshop with incredible students. Click here to see the video. (It may take a while to load.)