Check out this great interview with twenty-one successful authors about the experience of writing their first book—from how they made a living before they sold their first book to the nuts and bolts of getting the words onto the page.
I just read a lovely piece in the L.A. Times by writer and book reviewer Héctor Tobar. If you have doubts about whether you’re a good (or good enough) writer, read his article: In defense of ‘bad’ writers.
For as long as I can remember I have craved deep greens and muddy browns. I’ve often escaped to natural environments to write, or to read over my writing. I am soothed by trees, bolstered by the earth, and draw inspiration from breathing clean, fresh, mulchy air.
I have favorite spots I escape to, places where the phone won’t ring (sometimes there’s not even cell reception) and where piles of papers won’t grab at my attention.
I once fled to Palomar Mountain in San Diego County, pitched my tent, and promised myself I wouldn’t leave until I’d gotten the upper hand on the chapter I was struggling with. (I stayed a week, but I descended the mountain triumphant, the completed chapter tucked under my arm.) Yes . . . I wrote longhand for a week in that campground void of electricity.
Now I sometimes escape to nature to take a break from writing. But, still, it raises the water table of my creative juices, keeps the well from running dry.
I’ve come to call these spots my “Second Office.” They’re free of rent, and they free my mind.
(Also check out these earlier posts: Go on a Writing Retreat to Kick Your Writing into High Gear and Recipe for a Non-Writing Retreat.)
I invite you to share some stories or images of your own writing (or creative-well replenishing) escapes.
How many times should you send out a manuscript—and get rejected—before you put that one on the shelf? And if you deem one manuscript a failure, should you push forward to write another?
There is no pat response because no one can answer these questions but you.
The more accurate questions, perhaps, are these:
- How many times can you withstand rejection without losing the faith to carry on?
- How burning is your passion to write and share it with the world?
- How open are you to getting qualified feedback on your manuscript?
- How many times are you willing to rewrite until you get it right?
I wish I had those wonderful stats and stories to pull from a hat: X sent out Y manuscript Z number of times before it finally was accepted and published. I know those stories, but I just can’t remember the names of the writers they’re about. You know the ones: some fifty rejections before going on to finally be accepted and become a bestselling classic. (If you know any of those stories please share some with us!)
Succeeding as a writer does not necessarily mean succeeding easily and gracefully. Not everyone gets to sail effortlessly across the finish line. Some will limp across that frontier (from unpublished to published and paid) with plenty of bruises and scrapes from a harrowing journey.
But those who persevere have a chance of getting there. And those who are willing to rewrite—as many times as it takes—have an even better chance.
If you have a question about writing, and you think the answer might benefit others as well, please send me an email at Nomi.theWriteCoach(at)gmail.com, and I’ll set to work on a blog post that answers your question. (It’ll be kind of like you’re giving me a writing prompt and benefiting from what I come up with!) If I don’t know the answer, I’ll do my best to find you some resources where you can find the answer.
Then, keep your eyes open for my response (in the form of a blog entry)!
It gives me great joy to share what I’ve learned about the craft of writing over my 20 + years as a book editor, writer, and writing coach.
I look forward to hearing from you.
I’m all ears.
It’s true. I do. I love deadlines.
Not that I always love the date attached to the deadline. But no deadline at all is not the writer’s heaven I used to think it was.
I learned early on to work with a contract, even when it wasn’t generated in-house. If I did some work for an individual author or writer, I’d draw up my own contract. I was slower to learn about the value of including a deadline in that document. I wrote a beautiful contract once, covered all bases, got contract advice from the wonderful National Writers Union (NWU: consider joining!), and presented my document to the author I would be writing for. He requested a few changes to the contract, which I made . . . but he said nothing about the absence of a deadline. Woo hoo! Was I a clever girl! I had squirreled out from under the dreaded deadline pressure—which I was sure would squash my creativity. I could now write in peace. I could craft a masterpiece. I was blessed.
. . . until a year into the project, when the book manuscript was not done and I’d run out of money. I now had work I owed someone and more work I needed to take on to pay the rent.
It wasn’t like I hadn’t been writing during that year. I’d been writing every day, loving life. But I hadn’t been focused on the manuscript’s finish line . . . because there wasn’t one. I would get there when the manuscript was complete. Completion was my finish line. But I’d forgotten to take into consideration how long my funds would last.
A painful lesson learned. Now I love deadlines.
Besides, if you have a deadline, you are one of the lucky ones—a writer or editor with a job or a project. It is cause for celebration. And if your deadline is not externally imposed, then you are one of the disciplined ones. Also cause for celebration.
How about you? Do you love that deadline? (We’d love to hear your experiences—the good, the bad, the ugly!)